My reasons being:. I can't comment on the difference as I only have the 56mm and I use it for wedding portraits. I love the extra light it gains. There are so many threads on people discussing these two lenses and some say the 50mm is sharper. All I can say is that my 56mm is bloody sharp, it focuses quick enough for me in low light at weddings and renders very well.
If its for portraits then a longer lens might also be best? Maybe consider the 90mm? I really do like the 56mm but its almost double the price of the 50mm where I'm from so I'm finding it hard to justify the price. So it does appear that the 50mm is better overall, especially at the edges. I have the 56mm and have no complaints.
How is the bokeh on the 50mm? Right now the only thing tipping things in favour for the 56mm for me at least is the focal length. Portraits look nicer with a longer length - but I'm thinking I can just take a step back and crop in with the 50mm - I won't get the same resolution but it will get the job done in half the price. I have the 56 and while it is a very special lens, it has a number of shortcomings which have lead me to buy the 50 as well:.FUJI wedding PHOTOGRAPHY gear - whats in my wedding bag - fuji xt2
I see it now as more of a studio lens, or a lens to be used in similar controlled and easy environments. It does create a wonderful look, very different in aesthetics from the I like the look of photos shot with the 50 as well, they are just different.
I love the wider fujicrons, fast to use, sharp and punchy results and small, light and robust enough to take them everywhere- trekking, cycling, a night out. They also make the camera look less threatening than the huge black eye of the The sky is full of holes that let the rain get in, the holes are very small - that's why the rain is thin. Spike Milligan. Writer, comedian, poet, Goon. The 50 and the 56 are quite different lenses each with their own strengths and uses, both are excellent.
If possible, try to test drive. I have and love both lenses. You are absolutely OK in using the 50 F2 as a portrait lens and it is perfectly sensible to prefer it for travel and other uses one could mention. It seems natural to compare the 50 and 56, but it is not really good to do so. Apples and oranges. The 56 is in a class of its own at F1.
The 56, like the 16 and 90, are also Fuji lenses that have that special "magical" and "micro-contrast" quality that some photographers, like myself, claim from time to time. The 56 is one of the best portrait lenses in the world.Pybind 11 cmake
The 50 is outstanding too in so many ways. But no, it does not have better IQ or sharpness than the I just wanted to share some extra food for thought -- pfb links. Thank you and kindest regards. Short answer, no. I have both and I find the rendering of the 56 much more pleasing than the 50 and the 50 is slow f2 is slow on an APS-C camera so less flexible. I will often carry my 50 in the bag with my Pro2 in case I find a street venue where I have a lot of room and the 56 is a bit longer and would require more room.Made up of nine elements in seven groups, and formed in Fujifilm's classicly-styled telescoping design, it is another diminutive lens that should appeal to X-Pro shooters and anyone looking for a tiny addition to their bag.
Let's take a look at this lens and then see how it fits into the Fuji line. However, it is long enough that you can get a grip on both the lens and body with your left hand, where it sits comfortably and balances well.
It seems to fit the body more comfortably. As with all Fujifilm X lenses, the construction is excellent. As the lens gets both the XF and WR designations, you can be assured that it is well constructed, feels solid, and will withstand a few splashes.
The focus ring is Fujifilm's typical ridged metal design, and turns easily. The focus throw is quite long for a tiny lens like this, making it quite easy to manual focus. These are much easier to feel your way through than many other Fujifilm lenses. The only thing that feels quite tacky about this lens is the plastic lens hood.
Fuji 56mm 1.2 vs Fuji 50mm
The metal hood that comes with the 35mm is much nicer and completes the overall package a lot better. Both the 23mm and 35mm in this series have 43mm filter threads.
The 50mm has a 46mm thread. This means that if you're a filter user, you'll either need to invest in yet another step-up ring or another set of filters. This is where this series of lenses really shines. In good light, you will see focusing that outperforms some DSLR lenses.
If anything, the Fujifilm was a touch faster. You can see videos of those compared through the viewfinder in my article from last week. As you enter low contrast or dimmer situations, you will start to see the lens hunting quite significantly. I have found that indoors it can take around half a second to reach critical focus if you are not in a high contrast situation.I went into lots of detail about configuration, settings and shooting methodology.
This blog post will replace the version as a lot has changed in the world of Fuji. It also had well over blog comments. I know that my style of wedding photography is totally subjective. Whether this type of wedding photography is to your taste or not, I do hope you get a lot out of the technical and theoretical elements of the information contained within.
Especially those shooting in a documentary style, such as snapping the children at home or Street Photographers which is my other passion. I have been shooting weddings full time, professionally, since I used a Canon system that was excellent. The images it produced were excellent and the lenses were amazing. I was intrigued, more than anything, at that point at whether a small camera like that could fit into my working methods. At the time, I shot only 35mm and 85mm full frame lenses on my Canon systems.
So the X with its 23mm lens 35mm equivalent seemed like something I at least wanted to try out. So I bought one. And I took it to a wedding. It was OK. That original X was never going to be a camera I solely shot my weddings on though. The camera was good, but slow, and not responsive enough for my liking.
I was never going to introduce a new camera system into my professional business if the image quality was not up to my standards. So I was sold.
They are a reactive company that listen to photographers and react to them.As I now have a Fuji lens to cover my mm needs, I decided that this month to only take my Fujis. Out of all weddings I shoot, I decided this when the wedding was over 3 hours away. So there was no chance of me nipping home during dinner in an emergency.
For me, this was my final test for Fuji. During the entire wedding, around 12 hours, there was only 2 issues I encountered with the X-T1 and X-E2. First, my tools. As you can see from the list above, this is no light kit. Below are 2 screen shots from my Lightroom catalogue. Both of them show how many shots I had taken with each body and lens throughout the entire day when I had selected the images to import. First is the screen shot of all imported images that I had selected from the entire day.
Second is the screen shot of all final edited images, which I provided the couple with. As you can see, and exactly what I expected, my most used lenses were the 23mm and 56mm, the equivalent of 35mm and 85mm. They were my most used lenses, due to how I shoot, and having shot with a 35mm and 85mm for the majority of my photography career.
Most of my shots I pre visualise either at 35mm or 85mm, then for those times I need wider or longer, I have the other lenses to fill those spots. Both the X-T1 and X-E2 performed flawlessly excluding my 2 gripes with Fuji, mentioned further into the article. In controlled test conditions, the X-T1 will out perform the X-E2 regarding focusing, but in real world usage in good light, both felt equally as good as the other. Indoors I used flash on Manual after the ceremonyas no TTL available from 3rd party flashes, except the tiny under powered Nissin i40 i40 Review coming soon.
Outdoors I used available light only, until I shot the portrait shots after the ceremony. During the ceremony, the only lens to miss focus a couple of times thankfully not any important moment was the 56mm. This only happened when the backlighting increased, which has been mentioned by others before.How to remove non breaking space in word
The one area I assumed both bodies would have struggled slightly is when the bridesmaids and bride were walking down the isle. I opted for single focus as in my experience so far, both bodies can lock focus quick enough and capture the moving subject a lot more accurately that continuous focus can. Continuous focus works great on the X-T1 after firmware 4. As I said, I expected them to struggle slightly, but both performed as good as I could have hoped, not missing 1 shot due to miss focus or focus hunting.
A huge upside, in fact, a huge positive for the way I shoot with Fuji, is the processing time. How much time I spend on processing files after the shoot was so much less than when I was on Canon. With this, only having a couple of hours spare a day, sometimes less, it can take me a few weeks, maybe longer to have all images taken on Canon, processed and edited.
I was so happy with the results from the X-T1 and X-E2 after applying the Classic Chrome film simulation, I only needed to make minor adjustments. So in short, as far as capturing an image, capturing moments, and producing results the couple had paid for, both bodies and all lenses did their job very well, as well as any DSLR. Assuming you have enough experience with your Fuji body and lenses, and know their strengths and weaknesses, you will come to the same conclusion.
Firstly the dislike! Battery life! I used 4 batteries in the X-E2 and 6 batteries in the X-T1. As I was shooting outdoors, and the light was pretty bright, I needed my EVFs and screens on their max brightness.It is an awesome lens, that I to this day still use on a weekly, if not daily, basis.
Then a year later, in fallFujifilm released yet another small compact weather resistant prime.
Fuji XF50mm F2
I first laid my eyes and hands on a working prototype of this lens back at Photokina. Even though nowhere final, the couple of images I took showed definite promise.
Fastforward to christmasand I got to test it out for a couple of weeks. Just a couple of days prior to leaving for London earlier this week, I got a chance to bring one with me. But that kind of amounted to a big fat nothing. All metal construction. Firm aperture clicks. Nicely dampened focus ring and a nice compact construction. This lens fits right into the trilogy. The focusing mechanism is internal, and it has weather sealing.
Sizewise it is like its wider siblings, but it does have a slightly wider filter diameter of 46mm. The hood that is supplied, is however, quite splendid. It is by far the best of the plastic lens hoods, and it just finishes the look of the lens in a very satisfying way when coupled with the X-Pro2. The lens weighs in at a mere g and is approximately 6 cm long. It has 9 rounded aperture blades.
Fujifilm tested this in a lab and got some values, but I can just stress that once more, it was not the gear that was a hindrance in getting the shot!Is sli worth it
The lens used is a pre-production model, and image quality might be subject to change. Take that for what you want. For the 3rd time in a row, I can say that the Fujinon lenses deliver stellar quality no matter what focal length they seem to get involved in making. I really love how this lens treats the transitions between in focus and out of focus. It has a softness, yet sharpness that brings a very organic look to the images. The close range focus for the lens is another great feature.
You can really get in there with a close focus distance of only 39cm. You can easily fill the entire frame with a headshot if you wish. I think this lens is a no-brainer for any fujifilm photographer out there. Samples are processed RAW files. They have been taken using my X-Pro2. If you want the metadata, you can view it in the file when downloading. It has the exact same trades as its wider angle brethren. Great build, great feel and great image quality. I will leave you with a proper video review from my good friend and fellow danish X-Photographer Palle Schultz!
Looks like a great lens!The other lenses being the 35mm F2 and the 23mm F2 of course. When these lenses were announced, I was fairly indifferent about the 50mm option. I have, and love, the XF 56mm F1. A strange ish focal length, a stop slower than the 56mm and with less depth of field options. The Fujifilm 50mm F2 lens rightcompared to the 56mm F1. When I first received the lens, I popped it onto my X-T2 and snapped a couple of quick shots of my crazy whippet and of my daughter as we played a game of chess together.
In comparison to its rather more noisy bigger brother, the Fujifilm 50mm F2 is so snappy. Whilst I really love my 56mm F1.
I nearly always have a camera kicking around. Would I have bothered taking a similar image, or even got a similar result, with the 56mm F1. Who knows. Sadly, the same can not be said for the 56mm 1. Far from it.
Fstoppers Reviews the Fujifilm 50mm f/2 WR
I would normally use the 23mm 1. It gives me a slightly different viewpoint and also allows me to have more depth of field compared to the 23mm without the need to get so close. I love that all street photographers ideas and visions are very different. And this, of course, is simply down to the size and weight of the lens. Whilst not a particularly great image aboveI think it demonstrates the potential of this lens as an option for medium distance focal length with a shallow depth of field.
Really, it depends on your need. Here in the UK, the venues are dark and the weather is often dingy. I rely on the 1. Those that love to emphasise and use that narrow depth of field are likely to remain true to the 56mm. In essence, I need both of them, but the Fujifilm 50mm F2 has actually opened up a couple of new angles for me.
I can imagine people who are setting out on a new journey with the X-Series investing in the three F2 lenses and having a pretty amazing system from the off. The Fujifilm 50mm F2 really is a Gem. Popular Now Week Month. Using the Viltrox 85mm F1.
Fujifilm X-Pro3 Review. Home Gear.
Fujifilm 50mm F2 ~ A Surprising Gem
The 50mm F2 is a brilliantly built, epically quick and phenomenally fast lens. I love it. Subscribe to get new post updates You'll only receive new-content emails. Nothing else, I promise.Meanwhile the fairly bright f2 focal ratio allows you to easily isolate a subject with a shallow depth-of-field effect. But how do the sharpness and rendering compare? Keep reading to find out which short telephoto lens will be the best for your Fujifilm body! The Fujifilm XF 50mm f2 becomes the third model in its compact, weather-sealed f2 series, following the XF 35mm f2 and XF 23mm f2 models.
Like them, it shares a simple, slightly tapered profile designed to present the least obstruction in the corner of the optical viewfinder on the X-Pro bodies — although of course all X-series owners can appreciate the compact and lightweight form factor. At its widest point by the lens mount, the XF 50mm f2 has a maximum diameter of 60mm, but again this tapers beyond the aperture ring to a little over 50mm by the time you reach the 46mm filter thread at the end.
Meanwhile the lens barrel measures 60mm in length, making it the longest in the f2 threesome so far, albeit still compact compared to most of its alternatives.
Unlike the XF 50mm f2, it unsurprisingly grows in diameter as you move towards the front elements, starting at around 55mm at the lens mount and growing to 73mm around the manual focusing ring. The filter size is understandably wider at 62mm, and the barrel itself longer too at 70mm; the XF 56mm f1. Both the XF 50mm f2 and XF 56mm f1.Gml file python
Luckily both can be reversed over their respective lens barrels for transportation. Above left: Fujifilm XF 50mm f2. Above right: Fujifilm XF 56mm f1. Both with supplied lens hoods. Like the previous tapered f2 models, the XF 50mm f2 has a simple design with a labelled aperture ring close to the lens mount f2 to f16 in third stop clicks followed by an A position and a smooth manual focusing ring towards the end. Obviously the XF 56mm f1. Either way, the rubber grommet is a clear difference with the XF 56mm f1.
In terms of autofocusing tested on an X-Pro2 bodythe XF 50mm f2 is fairly swift and while slightly audible in quiet conditions, rarely obtrusive. In comparison the XF 56mm f1. In terms of manual focusing, like all Fujifilm lenses, the XF 50mm f2 employs a fly-by-wire system whereupon turning the freely-spinning focusing ring instructs the AF motor to adjust the mechanism. I should note the XF 50mm f2, like the XF 56mm f1. In terms of optical construction, the Fujifilm XF 50mm f2 employs nine elements in seven groups, including one aspherical ED element.
The maximum focal ratio is f2, the aperture employs nine rounded blades and the closest focusing distance is 39cm for a reproduction of 0.
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